How to use Canon EOS 1DS Mark III landscape settings?
The Canon EOS-1Ds Mark III was the third and last of the Group 1Ds full-outline line, discontinued in December 2007. It kept the title at the time when it was discontinued for being the most notable DSLR with a 21 megapixel CMOS sensor. The Imprint III contained a few new highlights, in comparison with the Canon Imprint II. Integrated sensor washing, Live View (an electronic viewfinder mode), for instance, and a larger 3.0′′ critical LCD shading.
You will also get 63 zone exposure metering, EOS Integrated Cleaning System, 19 auto focus system cross form, and other essential features. Software such as Photostitch, EOS Utility, Digital Photo Professional and the Images Viewer or Zoom Browser are also included.
Landscape photo taken by Canon EOS 1DS Mark III
Step 1. Use a wide-angle lens to give your images depth and emphasize the vastness.
As a landscape photographer, the choice of lens is typically the first thing to focus on. A wide variety of focal points exist. However, you can catch a vibrant image with the use of a wide-angle lens.
Popular lenses for Canon EOS IDS Mark III
|Wide Angle Lens||Aperture||Focal Length||Check Price|
|Canon EF 14mm f/2,8 L II USM||f/2,8||14 mm||Check Price|
|Canon EF 16-35mm f/2,8 L USM||f/2,8||16-35 mm||Check Price|
|Canon EF 16-35mm f/2,8 L USM II||f/2,8||16-35 mm||Check Price|
|Canon EF 24mm f/1,4 L II USM||f/1,4||24 mm||Check Price|
|Canon EF 35mm f/1,4 L USM||f/1,4||35 mm||Check Price|
|Canon EF 8-15mm f/4 L USM Fisheye f/4||8-15 mm||Check Price|
|Canon EF TS-E 17mm f/4 L||f/4||17 mm||Check Price|
|Canon EF TS-E 24mm f/3,5 L II||f/3,5||24||Check Price|
Step 2. Set exposure compensation to zero
Canon EOS IDS Mark III Landscape- compensation for exposure
There is a little button on your camera that has a +/- on it. To vary the exposure compensation, click it. Turn the main dial of your camera to the right or left when pressing the button. That will alter the reimbursement for exposure. You may decrease the exposure by turning the dial, and then the other way raises it. The exposer adjusts 1/3rd of the settings with every click. Changing exposure gives it a 3D look with a profound shift in images.
Step 3. Change color Space from SRGB to Adobe RGB
Canon EOS 1DS Mark III Landscape-SRGB-Adobe-RGBB-Color Space
Adobe RGB has more prominent color space, enabling you to have more colorful, on-screen, and printed colors. You’re working with fantastic hues in nature as a landscape photographer.
All things considered, sRGB is a regular shading space used for a web display. Your images will appear in sRGB shading space at the point where you upload photos to the site, regardless of whether you insert sRGB or Adobe RGB shading space into your photos. Now, making use of Adobe RGB makes a major difference when it comes to printing. It helps you to make more striking and detailed tones on the prints.
Step 4. Activating live view mode
Canon EOS 1DS Mark III Landscape: Live view activation
For landscape photography, this is a useful gizmo and is only powerful in live view mode. If you activate the live view mode, i.e., look at your composition on the LCD screen of the camera rather than the viewfinder, you can see a picture on your screen with a reproduced presentation.
If you use networks, this is particularly advantageous. For example, when you use a 10-stop channel to take an image, when glancing through your viewfinder, you can not see anything other than pitch dimness. When you use channels, it’s a lot easier to take scenic images in live mode.
Step 5. Disable auto rotation.
Canon EOS 1DS Mark III Landscape: auto rotation disabled
The default camera setting will automatically whirl, allowing you to display all your pictures in the horizontal position of the camera.
However, once you try to look at your photos vertically after taking each picture on a tripod in a vertical orientation, this becomes somehow awkward.
In that age, one of the best cameras was the Canon EOS IDS Mark III. A large lens is mandatory for a landscape photograph to get the best out of the camera’s vast features. Even, with little changes in SRGB colors, it gives much more color detail. Modifying images with increasing contrast and sharpness can contribute to the image’s quality and production.